Nov 16, 2023 5:48:04 GMT
Post by Ingrid Karina on Nov 16, 2023 5:48:04 GMT
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[attr="class","revcallname"]INGRID
KARINA
[attr="class","revcalllyric"]I haven't the time.
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| [attr="class","revcallbar1"] ALIAS Tsarevna | [attr="class","revcallbar1"] AGE Thirtysix | [attr="class","revcallbar1"] PRONOUNS She/her | [attr="class","revcallbar1"] OCCUPATION Fugitive | [attr="class","revcallbar1"] HEIGHT 6'1'' |
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Even in the brightest years of her childhood, Ingrid suffered a certain longing. Often having trouble making friends, due to many of the faults that would shape her later failings, she ended up having a rather insular childhood. She was contented to spend more fantasizing about mirth rather than actually enjoying herself.[break][break]
As a teenager, she developed a love of historical dress--inspired by the exuberance of rococo--she dreamt of being a designer, and putting out her own line of opulent gowns. Against the wishes of her father, she studied art, design, and fashionable theories at university. Afterwards, she struggled to earn a proper living in a way she found fulfilling. Occasionally, she was able to work helping design and stitch dresses for cosplayers. Instead of building a rapport and networking, she acted as if such work was beneath her; there were only so many Princess Peaches or Daisies she could construct.[break][break]
Several of her gowns had caught the eye of a costume designer of an Opera company in Lyon, who sought to have her work as an apprentice. Initially, she wasn’t in charge of any designs; she worked in construction. Her work was well appreciated, and within a few years, she was developing costumes in collaboration with her superior. From on high she was instructed to work with a young soprano named Ekaterina, who preferred to be called Kitty. Finding her first magnum opus, Ingrid developed a stunning look for Kitty as Juliette, dazzling the once jaded audience. For a time, she and Kitty were a collaborative pair, developing not only a strong professional relationship, but also a close friendship.[break][break]
Favor had swung in her favor. Ingrid's role within the company had greatly expanded; she was soon designing an entire production. ‘Dido and Aeneas’ was laid before her. This time there would be no thematic guidance to help steer her, she was to helm this production’s costume design by herself. Debates of historical accuracy versus inspired aesthetics toiled within her very soul. Suffering much deliberation, she went forward with a strongly neoclassical inspired production, with several flares as winks towards the paintings of Guérin, Kauffman, and David. Kitty, lacking a role in this production, was open to offer plenty of emotional support as the stress of this project had taken its toll on Ingrid.[break][break]
With the closing of the production behind them, Kitty invited Ingrid to take some time off by visiting her family in Milan. It was a charming experience, one far more extravagant than she had anticipated. This one fleeting weekend had haunted her, Ingrid’s dreams of haute couture had her leading a life like this. The next time Kitty invited her to another family outing, she couldn’t even humor the thought of declining for other pressing obligations. Warming up to Kitty’s family had proven to be a fatal mistake.[break][break]
All families possess secrets, and wealth often begets some of the most hideous. It just so happened that Kitty’s family were deeply involved in international weapon smuggling. On the eve of a production of Orphée aux enfers several intelligence agencies coerced Ingrid into acting as an asset. While she was assured that she may be able to keep some of the gifts she had received (not the Porsche), what could not be assured was her safety. If found out, it was apparent that the health and wellbeing of her entire family was at risk.[break][break]
“Good luck”[break][break]
Ingrid's duties were straightforward; list names of attendees, covertly take photographs, and keep a low profile. Put into this precarious position by these agencies, she was forced to scale down much of her duties at the opera house. Even going back to her responsibilities from her merest days as an apprentice proved far too much for her handle. This façade of normalcy in the face of large scale criminal conspiracy served to distract from even the most perplexing of celestial events.[break][break]
Frustrated with the increasing and riskier demands of her handlers, Ingrid gave in to spiteful impulses, and began to lie, feeding misdirection after misdirection. Face to face with turmoil, she made the decision to leave. It was impossible to hide forever, fearing both the wrath of international crime syndicates, and international intelligence agencies. Her fears had come to fruition one morning, where she was discreetly confronted by authorities in an overgrown railway in Sarajevo. Luckily for her, her transgressions seemed to become trivial in a heartbeat, as Earth-chan had the final say in any disagreements on that particular day.[break][break]
At least she was able to keep the Porsche… kind of.[break][break]
backstory
Even in the brightest years of her childhood, Ingrid suffered a certain longing. Often having trouble making friends, due to many of the faults that would shape her later failings, she ended up having a rather insular childhood. She was contented to spend more fantasizing about mirth rather than actually enjoying herself.[break][break]
As a teenager, she developed a love of historical dress--inspired by the exuberance of rococo--she dreamt of being a designer, and putting out her own line of opulent gowns. Against the wishes of her father, she studied art, design, and fashionable theories at university. Afterwards, she struggled to earn a proper living in a way she found fulfilling. Occasionally, she was able to work helping design and stitch dresses for cosplayers. Instead of building a rapport and networking, she acted as if such work was beneath her; there were only so many Princess Peaches or Daisies she could construct.[break][break]
Several of her gowns had caught the eye of a costume designer of an Opera company in Lyon, who sought to have her work as an apprentice. Initially, she wasn’t in charge of any designs; she worked in construction. Her work was well appreciated, and within a few years, she was developing costumes in collaboration with her superior. From on high she was instructed to work with a young soprano named Ekaterina, who preferred to be called Kitty. Finding her first magnum opus, Ingrid developed a stunning look for Kitty as Juliette, dazzling the once jaded audience. For a time, she and Kitty were a collaborative pair, developing not only a strong professional relationship, but also a close friendship.[break][break]
Favor had swung in her favor. Ingrid's role within the company had greatly expanded; she was soon designing an entire production. ‘Dido and Aeneas’ was laid before her. This time there would be no thematic guidance to help steer her, she was to helm this production’s costume design by herself. Debates of historical accuracy versus inspired aesthetics toiled within her very soul. Suffering much deliberation, she went forward with a strongly neoclassical inspired production, with several flares as winks towards the paintings of Guérin, Kauffman, and David. Kitty, lacking a role in this production, was open to offer plenty of emotional support as the stress of this project had taken its toll on Ingrid.[break][break]
With the closing of the production behind them, Kitty invited Ingrid to take some time off by visiting her family in Milan. It was a charming experience, one far more extravagant than she had anticipated. This one fleeting weekend had haunted her, Ingrid’s dreams of haute couture had her leading a life like this. The next time Kitty invited her to another family outing, she couldn’t even humor the thought of declining for other pressing obligations. Warming up to Kitty’s family had proven to be a fatal mistake.[break][break]
All families possess secrets, and wealth often begets some of the most hideous. It just so happened that Kitty’s family were deeply involved in international weapon smuggling. On the eve of a production of Orphée aux enfers several intelligence agencies coerced Ingrid into acting as an asset. While she was assured that she may be able to keep some of the gifts she had received (not the Porsche), what could not be assured was her safety. If found out, it was apparent that the health and wellbeing of her entire family was at risk.[break][break]
“Good luck”[break][break]
Ingrid's duties were straightforward; list names of attendees, covertly take photographs, and keep a low profile. Put into this precarious position by these agencies, she was forced to scale down much of her duties at the opera house. Even going back to her responsibilities from her merest days as an apprentice proved far too much for her handle. This façade of normalcy in the face of large scale criminal conspiracy served to distract from even the most perplexing of celestial events.[break][break]
Frustrated with the increasing and riskier demands of her handlers, Ingrid gave in to spiteful impulses, and began to lie, feeding misdirection after misdirection. Face to face with turmoil, she made the decision to leave. It was impossible to hide forever, fearing both the wrath of international crime syndicates, and international intelligence agencies. Her fears had come to fruition one morning, where she was discreetly confronted by authorities in an overgrown railway in Sarajevo. Luckily for her, her transgressions seemed to become trivial in a heartbeat, as Earth-chan had the final say in any disagreements on that particular day.[break][break]
At least she was able to keep the Porsche… kind of.[break][break]
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SYLVIA SHERWOOD SPY X FAMILY
LOOKS LIKE
SYLVIA SHERWOOD SPY X FAMILY
PHARAOH LEAP CREATES
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